Befriending Dangerous Neighbors

How do we learn to live with those who might do us harm? What if some of our neighbors are dangerous? Why wouldn’t we simply move away; or cause them to move away; or try to do them in? How do we balance caution with compassion?

Very occasionally an all-too-human friend or neighbor has become sufficiently unhinged to be dangerous. More often, however, it’s been one of the other-than-human creatures with whom we share this land who has tested our willingness to be neighborly. When the path that Dorothy, the Tin Man, and the Scarecrow are following leads into a dark wood — in the film version of Frank Baum’s The Wizard of Oz — their fears run away with them.

“Lions and tigers and bears, oh my!” they exclaim. “Lions and tigers and bears!”

We’ve never seen, outside of our dreams, any tigers at Light Morning. By slightly paraphrasing Dorothy’s fearful refrain, though, we can easily relate to it: “Lions and serpents and bears, oh my! Lions and serpents and bears!” Stories about our encounters with mountain lions and black bears may be shared later. This story is about learning to live with venomous serpents.

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Seasonal Images

Summer 2020

This week’s post continues a tradition of looking at the season gone by through the lens of my iPhone 8 camera. (The Spring 2020 seasonal images are here.) The photos are from the two-mile walks that Joyce and I take along the gravel road that leads to Light Morning; or from the garden that Ron and Joyce and I tend; or from elsewhere on the land. Now and then the images will be clues to those who lived here before we first fell in love with the land in 1973.

(Click on any image to enter slideshow mode.)

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Seasonal Images

Spring 2020

Most of the following photos are from the morning walks that Joyce and I take along the gravel road that leads to Light Morning. Now and then I’ll pause to use my cell phone camera to honor strange neighbors, easily overlooked beauty, and scattered remnants of the families who farmed this land long before we arrived on the scene.

(You may be able to click on any image to enter slideshow mode.)

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A Bioregional Seminar: 2

These are the final three letters I wrote when participating in a bioregional seminar in the late 1980s. The first two letters, with a fuller introduction, can be found here.

Letter 3: February 1989

Cabin in the woods

I stayed up late last night, trying unsuccessfully to find a theme for this month’s letter. As I finally went to bed, I asked my dreams for help. But this morning I was unable to recall even a single dream. Joyce, however, who was consciously unaware that I had been puzzling over this letter, awoke with a surprisingly relevant dream. It almost seems as though the dream I needed had come through her.

In the dream world Joyce is attending a workshop on environmental issues. Many of the other participants are castigating the government and/or the big corporations for their unresponsiveness to the critical problems facing the planet. Joyce is moved to say that we have no right to demand significant changes from anyone “out there” if we are unwilling to make comparable changes in our own lives.

“The changes we must turn to first are personal changes,” she says passionately. “And they have to be radical.”

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A Bioregional Seminar: 1

Introduction

Katuah Journal

It’s a warm summer evening at Light Morning. I have just settled down to read the newly-arrived Summer 1986 issue of Katuah, the Bioregional Journal of the Southern Appalachians. It’s a homespun publication run by a volunteer crew of artists and activists, poets and homesteaders. Gary Snyder has called it the best bioregional publication in the U.S. Growing out of the mountains of western North Carolina, Katuah Journal comes out quarterly. This is Issue 12. One of the early issues had laid out its guiding theme.

“Here in the southern-most heartland of the Appalachian mountains, the oldest range on our continent (Turtle Island), a small but growing group has begun to take on a sense of responsibility for the implications of that geographical and cultural heritage. This sense of responsibility centers on the concept of living within the natural scale and balance of universal systems and laws. We begin by invoking the Cherokee name Katuah as the old/new name for this area of the mountains and for its journal as well.”

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The Gift of Beauty

Pelican in flight

Joyce and I are walking down a North Carolina beach at dawn. It’s mid-September. The twilit sky is pale blue-gray, with shadings of mauve and orange. We pause, moved by the muted colors and the soft background murmur of surf.

Then, without warning, we are overtaken from behind by a flight of brown pelicans, eight or nine of them, gliding low overhead in perfect formation. Their watchful eyes are serene, their elegantly angular bodies motionless, as they suddenly come into our field of vision.

The beauty of the moment strikes us with an intensity edging on anguish. Joyce feels her fuses being blown, as though only a small dose of such high-voltage beauty can be safely taken in before some self-protective mechanism goes into shut-down mode.

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Living Close to the Earth

[When Light Morning was an active community, those wanting to visit or intern here sometimes asked about our core values. In response, we posted three articles to an earlier version of this website: Living Close to the Earth; A New Kind of Family; and A Transformational Journey.]

How do we learn to live close to the Earth? Paying attention to the needs of our body and stretching toward higher octaves of health is a good place to start. Living close to nature and working close to home is another approach. This necessitates making a slow transition from a cash-intensive to a more labor-intensive economy.

While improving our physical health and meeting our outward needs more directly are helpful, being close to someone also implies emotional intimacy. According to the dictionary, an intimate relationship is “a warm friendship developing through long association.” Might it be possible to nurture such a friendship with the planet we call home?

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