Joyce

The Founders’ Dilemma

This article first appeared in the Winter 1994 issue of “Communities Magazine.” The core question that Joyce explores here continues to be relevant twenty-five years later. Light Morning found one answer to this question. Other communities and organizations are finding other answers, or have not yet wrestled with the question.

The Elizabethan home Frank Stephens built in Arden.
Often called The New Homestead, its other name
*comes from what* *he carved into the door beam:*
*“Tomorrow is a New Day.”*

Many of our communities are just now reaching that sobering age when we start to question our immortality. The founders are aging, as are many long-time members. Meanwhile, there’s a surge of interest in the communities movement among younger people who see this lifestyle as a partial solution to the multiple crises facing our world. At the place where these two phenomena meet lies a crucial challenge: how to blend the old and the new.

This is the founders’ dilemma. It’s the creative tension between affirming the original intent of a community, while at the same time being deeply responsive to the need for growth, flexibility, fresh air. New people arrive with strong and good dreams of their own. How can their visions be woven into the original tapestry without obliterating it?

Early Letters: 3

This is the third of three posts containing brief passages from letters that Joyce wrote to those becoming interested in Light Morning soon after we moved to the land. The first bouquet of vignettes (and a fuller introduction) can be found here.

April 1975

Our neighbor, Dan, was over yesterday to plow. There was a last-minute scurrying around to move sawdust piles, transplant favored weeds, rope off the rhubarb, harvest a little doomed catnip for some addicted cat friends, etc. We will soon be tearing down an old house partway to the mailbox. The owner will get half the lumber, we’ll get the rest — flooring for our new kitchen, and maybe a wall or two. The woodshed is begun. Gone is the peace of winter. In its place is the sense of a lively awakening, a new beginning. The seasons complement one another; a gentle succession of moods.

Early Letters: 2

This is the second of three posts containing brief passages from letters that Joyce wrote to those becoming interested in Light Morning soon after we moved to the land. The first bouquet of vignettes (and a fuller introduction) can be found here.

February 1975

Since picking up my pen here in our small tent, the wind has begun one of its roarings. A strange day, with its own story. An ice storm several days ago left every tree, pine needle, and blade of grass frozen, as though made of glass. Fragile glass mountains. Lovely, yet also a sense of tension: the trees bent down under the weight, the strain on brittle limbs, rigid and vulnerable. But there was no wind to threaten them.

Then earlier today the sun shone for about 20 minutes, just enough to release the branches, to give them back their essential flexibility. Now this raging wind, and those thousands of trees bending and twisting. I can feel their wild, joyful freedom.

* * *

Early Letters: 1

In the spring of 1974, four of us moved to an abandoned farm in the Blue Ridge Mountains to co-found a small visionary community called Light Morning. Letters soon started to arrive from people wanting to know what it was like to live in a place like this. Some wanted to visit. Others wanted to cast off their settled lives and move in.

Joyce became our correspondent. Below (and in the following two posts) are brief passages from the letters she wrote to those asking about Light Morning. Her verbal sketches convey the many changes that we were going through during our first year on the land — transitioning from nuclear family to the complexities of consensus and cooperation; from the comfort and conveniences of modern living to wintering in tents, drawing water by hand, and chopping wood for heat; and from the excitement of the initial vision to the slow realization that a long-term commitment would be needed to manifest that vision.

From ice storms, bobcats, and smoking wood stoves to whip-poor-wills and the return of spring, these vignettes (along with Joyce’s pen and ink drawings) offer glimpses into the pioneering way of life we had to adopt in order to adapt to our new circumstances.